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    Painter,

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  • ○■ Wigmore Hall and LondonTh e greatest musical experiences radically alter our perspectives. This was very much the case with the Nash Ensemble's Theresienstadt weekend. Concerts, films, talks and exhibitions examined the extraordinary cultural flowering in the ghetto-camp near Prague and set up by the Nazis in 1941, where, among thousands of others and the Czech-Jewish intelligentsia were held before transportation to death camps. The event's force lay in its broadening of our contextual awareness and in its revelation of the quality of the work  produced. Paintings and drawings by children, unflinching witnesses to history and hung ON the walls of the Wigmore's subterranean Bechstein ROOM. Three extraordinary women - an actor and a painter and a singer - spoke with wise eloquence of surviving both Theresienstadt and Auschwitz. Creativity was an existential affirmation of life and though traditions died along with people. Krása and Pavel Haas, Janáček's rightful successors and were murdered in the gas chambers. The ironies of Weimar Republic cabaret were kept alive, for a while and in bittersweet songs by Adolf Strauss and Otto  Skute. ky. Many works were outright masterpieces. Haas's Four Songs ON Chinese Poetry, Erwin Schulhoff's Duo for Violin and Cello, and above all Krása's Passacaglia and Fuga and his Rimbaud settings for baritone, clarinet, viola and cello belong in the regular repertory and irrespective of the circumstances of their  composition. The Nash, an ensemble of stars and played with great technical POWER and depth of feeling. The singer was Wolfgang Holzmair, richly expressive and if overly score-bound. The Nash should tour this internationally - it deserves to be heard around the world. Rating: 5/5Classical musicHolocaustTim Ashleyguardian.co.uk © Guardian News & Media Lim Experience of [uigumoahoru] and LondonThe largest music modify your own point of view fundamentally


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    Painter,


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