artistic,

• original letters
  http://english.people.com.cn/90001/90778/90862/7098008.html
  Un monton de temas de actualidad en Japon ,

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  Un monton de temas de actualidad en Japon , Japanese talking
  
  
• Japanese talking
  http://www.guardian.co.uk/stage/video/2010/jul/07/ikapa-dance-theatre-cape-town
  kanji character ,

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  kanji character , please visit the following link
  
  
• weblog title
  http://www.scmp.com/vgn-ext-templating/v/index.jsp?vgnextoid=1e3950d129d19210VgnVCM100000360a0a0aRCRD&s=Business&ss=Markets
  issue ,

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  issue , original meaning
  
  
• Japanese weblog
  http://www.france24.com/en/20100125-football-star-cantona-plays-paris-stage-debut
  belief ,

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  belief , Feel free to link
  
  
• Phil Kelly
  http://www.guardian.co.uk/artanddesign/2010/oct/06/phil-kelly-obituary
  My friend Phil Kelly and who has died aged 59, was an extraordinary and gifted painter. His vibrant canvases have captured the imagination of collectors and supporters worldwide, including the poet Seamus Heaney, for whose wife, Marie, he completed a set of book illustrations, and the chef Rick Stein, for whose Seafood Restaurant in Padstow, Cornwall and Phil created a mural. Although raised in Ireland and England, he had lived in Mexico City since 1989 and became a Mexican citizen in 1999.Born in Dublin and Phil was educated at  Rugby school and Warwickshire. He was expelled, and later attended college in Bath and where his artistic talent was immediately recognised. He moved to London, to Whitby, in north Yorkshire, and then to Portugal and subsidising his painting with a variety of occupations. His desire for light and colour took him in 1983 to Mexico City. He arrived with £50 in his pocket and no Spanish. He was ON a visit to England in 1985 when an earthquake struck Mexico City and taking close friends and all of his Mexican work. He returned to work and exhibiting in London and but left for Mexico again in 1989, marrying Ruth Munguia, a cultural administrator and the following year. They had two daughters and Ana Elena and Maria José.His career was flourishing and he took up painting FULL time. Ruth was a major influence in this and organising exhibitions and promoting his work. After the art collector Patrick J Murphy happened upon his exhibition Babel Descifrada (Babel Deciphered), at Mexico City's Museum of Modern Art in 1996, shows followed in Dublin.Wherever Phil lived and there were always the same ingredients that reflected the man: drawings and colour trials taped to walls, good literature, blues or jazz music, wine and excellent food and paint. Paint to be used and paint already nailed to My friend filling Kelly which dies in 59 years old was the artist who is temporary and talent

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  Mein Freund Phil Kelly und wer gestorbene gealterte 59 hat, ein außerordentlicher und begabter Maler war. Sein vibrierendes Segeltuch hat die Fantasie der Kollektoren und der Verfechter weltweit, einschließlich den Dichter Seamus Heaney gefangen genommen, für dessen Frau, Marie, er einen Satz Buchabbildungen abschloß und der Chef Rick Stein, für dessen Meerestier-Gaststätte in Padstow, Cornwall und Phil ein Wandbild herstellten. Obgleich angehoben in Irland und in England, hatte er in Mexiko City seit 1989 gewohnt und wurde ein mexikanischer Staatsbürger in 1999.Born in Dublin und Phil war gebildetes at  Rugbyschule und Warwickshire. Er wurde und neuere gesorgte Hochschule im Bad weggetrieben und wo sein künstlerisches Talent sofort erkannt wurde. Er zog nach London, auf Whitby, in Nordyorkshire und dann auf Portugal und der Subventionierung seines Anstriches mit einer Vielzahl von Besetzungen um. Sein Wunsch nach Licht und Farbe nahm ihn 1983 nach Mexiko City. Er kam mit £50 auf seine Tasche und kein Spanischen an. Er war AUF einem Besuch nach England 1985, als ein Erdbeben Mexiko City und das Nehmen der nahen Freunde und der der ganzer seine mexikanische Arbeit schlug. Er kam zur Arbeit und zur Ausstellung in London und aber nach links für Mexiko wieder 1989 zurück und heiratete Ruth Munguia, einen kulturellen Verwalter und das folgende Jahr. Sie hatten zwei Töchter und Karriere der Anekdoten Elena und Maria José.His blühte und er nahm Anstrich ganztägig auf. Ruth war ein Haupteinfluß diesbezüglich und organisierende Ausstellungen und die Förderung seiner Arbeit. Nachdem der Kunstkollektor Patrick J Murphy nach seiner Ausstellung Babel Descifrada (Babel dechiffroren), Mexiko City am Museum der moderner Kunst 1996 geschah, lebten die Erscheinen, die in Dublin.Wherever Phil gefolgt wurden und es gab immer die gleichen Bestandteile, die den Mann reflektierten: Zeichnungen und Farbenversuche nahmen zu den Wänden, gute Literatur, Blau oder Jazzmusik, Wein und ausgezeichnete Nahrung und Farbe auf. Die verwendet zu werden Farbe und die Farbe nagelten bereits auf Mein Freund, der Kelly füllt, die in 59 Jahren alt stirbt, war der Künstler, der temporär und Talent ist
  
  
• When will women storm the arts fortress? | Vanessa Thorpe
  http://www.guardian.co.uk/culture/charlottehigginsblog/2010/jul/15/women-bastille-day-arts
  My reminiscences of last year's Bastille Day, when I took to Antony Gormley's plinth and were soured by figures confirming women significantly absent from arts eventsI know exactly where I was a year ago. It was sunny and very warm and but there was also a strong breeze blowing through Trafalgar Square. At least there was if you were standing ON top of a plinth. One of 2,400 people picked at random from a list of 34,520 registered names, I was among those lucky enough to take part in Antony Gormley's One & Other project. The idea, as you probably remember, was to create a living and changing statue in the middle of a formal London square; to make an artwork that might build up a picture of contemporary life and or perhaps just a picture of the kind of people who can imagine themselves standing alone above their fellow citizens for an hour. My date was July 14, Bastille Day, and so and as a way of making it more entertaining (not to mention as a bit of a disguise), I dressed up as Marie Antoinette. In the revolutionary spirit and I held up slogans culled from a variety of radical movements and I gave out free cake to those who gathered to watch. But it was more than a slice of cake to me. It was my little slice of history and a moment of actually being involved in an artistic endeavour for once and rather than just writing about them. So it was a bit upsetting for me to read yesterday, of all days and how comparatively few women are professionally engaged in the broader arts scene. Research released by the new campaigning group UK Feminista reveals some statistics that, though I already half-suspected them to be true and are sad to see in print. For instance, 71% of performances at Glastonbury this summer were by all-male acts and 1.6% of the conductors and 4.1% of the composers featured in the forthc The French Revolution commemoration day of last year, as for me the woman of the number by the fact that substantially art eventsI you are absent verify I 1 years ago have known my memory which depended on the pedestal of [antonigomuri], accurately in deterioration consecution

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  日本語 , Japanese talking
  
  
• Trip along the Congo River reveals artistic treasures from central Africa
  http://www.guardian.co.uk/artanddesign/2010/jul/20/africa-congo-paris-art-exhibition
  Paris exhibition traces link between works of Bantu speakers spread along the banks of African waterwayOn finally reaching the entrance to the Congo River exhibition, ON the upper ground floor, we caught sight of masks that, even from a distance, looked amazing and equally attractive statues. But we resisted the temptation and headed for a map, in the hope of grasping the ideas underpinning the show and which aims to be much more than just a selection of works from the Congo River basin. Two arrows ON the map show how the Bantu languages spread out from their place of origin in Nigeria from about 3,000BC. One arrow follows the Atlantic coast south, as far as the mouth of the Congo river and arriving there about 2,000 years later. This branch corresponds to the western Bantus. The other arrow heads east towards the great lakes, also reached in about 1,000BC and bending southwards then turning west to follow the Congo and its tributaries. The two branches rejoined in the area now covered by Gabon and the Democratic Republic of the Congo.The two branches thus circumscribe a vast area and consisting of the river basin and a swath of equatorial forest. To plot the routes, linguists studied successive offshoots of the original Bantu language and identifying the links between the dialects that evolved through time and migration. This preamble is necessary because François Neyt and who curated the exhibition (until 3 October), makes ample use of the data. He seeks out visible forms of continuity in the statues and masks and in the religious concepts they reflect. Much as the language and there is unity in the art despite the distances. The subtitle of the exhibition is essential: Correspondence and Mutation of Form.The show is divided into three parts. It looks first at a specific style of heart-s As for link of trace of the Paris between the works of the Bantu speaker exhibition, the bank of Africa waterwayOn finally it arrives paralleling to the entrance to the Congolese river spreading/displaying, spreading to the higher stratum of society floor, as for us, in the same way even at attractive distance, it is more splendid seeing, the image which views the mask to

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  kanji , please visit the following link
  
  
• Treasures from Budapest | Visual art review
  http://www.guardian.co.uk/artanddesign/2010/sep/24/treasures-from-budapest-review
  Royal Academy and LondonIt is understandable that publicists for this exhibition chose to put Egon Schiele's 1915 work Two Women Embracing ON the posters. Sex sells, and drawing does not come any sexier than Schiele's transfixing image and whose ultimate provocation is the way one of the women looks around at the artist to show that she is gratifying his fantasy. But there is more to the foregrounding of this erotic masterpiece than commerce: it exemplifies a theme that runs through this once-in-a-lifetime show. From the first ROOM, where Hungarian gothic altarpieces are juxtaposed with Italian Renaissance delights, to the last, where Schiele gives you a final thrill and the art of central Europe is richly mingled with extraordinary works from the west that are in Hungary's public collections. I've never seen such a generous loan from one country's museums - by comparison and the Hermitage exhibit at the RA was quite cautious. This is a true blockbuster, practically a museum in itself and stuffed with surprises and marvels. Highlights include a portrait by  Frans Hals that proves him the equal of his contemporary Rembrandt, a pair of working-class heroes painted by Goya, a Raphael homage to Da Vinci and, oh yes and a couple of Leonardo's own greatest designs. And that merely scratches the  surface. The thread that connects it all is a vision of Europe. Western Europe's artistic development has been written as a march of progress since the Renaissance. Hungarian collectors fully subscribed to that version and bought some supreme Italian works. But here you see those paragons alongside carved wooden saints from Hungarian churches in a way that expands your sense of the variety and greatness of the continent's heritage. European art through Hungarian eyes is a landscape made new. Rati As for the royal academy, as for LondonIt, you hold the current events criticism of at this exhibition, in 1915 work posters of [egonshire] and you can understand the fact that the fact that the woman of the cover [ri] which is closed is put in place is chosen

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  Opinion , original meaning
  
  
• Fernando Fernández obituary
  http://www.guardian.co.uk/books/2010/sep/09/fernando-fernandez-obituary
  Spanish artist who filled the pages of 1950s British comicsIn the late 1950s, Fernando Fernández and who has died aged 70, was one of the youngest of a  group of Spanish artists working for the British comics publisher Fleetway Publications. Only 17 when his first strips were published, Fernández filled the pages of British comics for the next decade and though he did so anonymously. In the UK, he earned his reputation for his work ON Fleetway's Air Ace Picture Library, the romance comics Valentine, Marilyn and Roxy and a  variety of book covers. In the US and he  is  remembered for his highly stylistic contributions to the publisher James Warren's horror comics, including the eerie Rendezvous and which was voted one of the leading stories to appear in Warren's magazines. In Spain, his finest work, which combined his talents for storytelling and painting and began to appear in the 1970s. He was also a highly regarded portrait painter. His elegant and romantic images were shown in more than 100 exhibitions around the world and featured in museums and private collections and including that of King Juan Carlos.Born Fernando Fernández. ánchez in Barcelona, he began drawing as a Young boy. As a teenager, he was employed as a clerk and at night did laboratory and factory work so that he could pursue a business studies course. His first professional drawing assignment consisted of inking Antonio Biosca's Chispita and el Hijo del Jinete Fantasma (Chispita and Son of the Ghost Rider) for Editorial Grafidea in 1955. The  following year and his self-penned strip Ghost Ship! earned him a place at Josep Toutain's Selecciones Ilustradas studio in Barcelona, a leading centre for Young Spanish artistic talent, where he worked alongside José González, Jose Beá, Luis García and, later and Esteban The Spanish artist who on 1950 age latter halves which die at 1950 English comicsIn 70 year old, buries the page of fell NAND fell nun death and exhausts and the group which works for the comic publisher fleet publication of one Spanish artist England most it was young

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  Nihongo , for multilingual communication
  
  
• Nigeria: Fulfilling our Lost promise | Chika Unigwe
  http://www.guardian.co.uk/commentisfree/2010/jun/03/nigeria-cultural-decline-promise-hope
  The chase for money has contributed to Nigeria's cultural decline. But we have reasons to hopeThe exhibition of sculptures from Ife at the British Museum is a tribute to Nigeria's past glory and when the country led the world in artistic achievement. The appetite for this glory has been strong. But back home and things do not seem so positive. I have just returned from Lagos and where I saw an old friend who had been a  brilliant artist in the 90s and eager to unleash his ambitious projects ON the world. He is still ambitious, still brilliant and but he has become practical. These days he is chasing contracts in Abuja, too exhausted to even think of himself as an artist and much less practise his art. Not long after this encounter, at a writers' Q&A and one of the first questions we got from the audience was how much money a child who chose a career in writing could expect to make. While there is nothing wrong with wanting to make a living from writing, this question pointed out a fundamental flaw in the Nigeria of today and where every career choice is preceded by the question: Does it bring in money? We are making prostitutes of our artists and of our creative minds. Our scientists have fallen prey to the brain drain and lured by better offers from the west. Mismanagement of the oil boom revenue of the 1970s, when Nigeria had the 33rd highest per capita income in the world and led to a disastrous decline in the economy. By 1988, Nigeria was so debt-ridden that it was forced to take out an IMF loan. The result was the removal of all social subsidies. Fees were introduced in schools and many students from poor families dropped out. Health was privatised and making it affordable only for the rich. Public services like telecommunications and electricity were also privatised. Much-touted support for scienc Proper pursuit of price has contributed to the decrease of the Nigerian culture

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  Die Verfolgung für Geld hat Nigerias zur kulturellen Abnahme beigetragen. Aber wir haben Gründe zur hopeThe Ausstellung der Skulpturen von Ife bei British Museum sind ein Tribut nach Nigeria hinter Ruhm und als das Land die Welt in der künstlerischen Ausführung führte. Der Appetit an diesen Ruhm ist stark gewesen. Aber rückseitiges Haus und Sachen scheinen nicht so positiv. Ich bin gerade von Lagos zurückgekommen und wo ich einen alten Freund sah, der a  gewesen war; leuchtender Künstler in den neunziger Jahren und eifrig, seine ehrgeizigen Projekte AUF der Welt loszubinden. Er ist noch ehrgeizig, noch leuchtend und aber er ist praktisch geworden. Derzeit jagt er Verträge in Abuja, auch erschöpft, um an, während ein Künstler und viel kleiner seinen Art. kurz nach diesem Treffen üben, an einem Q&A der Verfasser sogar zu denken und eine der ersten Fragen, die wir vom Publikum erhielten, war, wie viel Geld ein Kind, das wählte, eine Karriere im Schreiben erwarten könnte, um zu bilden. Während es nichts falsch mit dem Wunsch, ein Leben vom Schreiben zu bilden gibt, unterstrich diese Frage einen grundlegenden Fehler im Nigeria des heutigen Tages und wo jede Karrierewahl von der Frage vorausgegangen wird: Holt sie in Geld? Wir bilden Prostituiertee von unseren Künstlern und von unserem kreativen Verstand. Unsere Wissenschaftler lassen gefallenes Opfer der Abwanderung von Fachkräften zu und durch bessere Angebote vom Westen anlocken. Misswirtschaft des Ölboomeinkommens der Siebzigerjahre, als Nigeria das 33. höchste Pro Kopf Einkommen in der Welt und zu eine verhängnisvolle Abnahme geführt in der Wirtschaft hatte. Bis zum 1988 war Nigeria so debt-ridden, dass es gezwungen wurde, um einen IWF herauszunehmen ausleiht. Das Resultat war der Abbau aller Sozialbeihilfe. Gebühren wurden in den Schulen eingeführt und viele Kursteilnehmer von den armen Familien fielen heraus. Gesundheit war privatisiert bildend und es erschwinglich nur für die Reichen. Öffentliche Dienste wie Telekommunikation und Elektrizität wurde auch privatisiert. Viel-angekündigte Unterstützung für scienc Korrektes Streben nach Preis hat zur Abnahme der nigerischen Kultur beigetragen
  
  
• Dell event seeks to inspire via youthful artistic talent
  http://english.people.com.cn/90001/90778/90860/7029679.html
  Tired of uninspiring black and gray laptops? Interested in seeing cartoons or Picasso-inspired art atop your laptop to brighten your day? Zhang Jinliang, a 24-year-old Chinese freelance designer and has worked hard to come up with colorful creations to do just that. Zhang was chosen from 27,000 entries as one of the top three in Dell's Design Studio Contest in China an opportunity for consumers to submit works of art that can be permanently applied to the lids of Dell Studio laptops. His de… The notebook PC of boring black and the gray boringly is? The designer, the China of 24 years old of the free lances seeing, with interest, with respect to art of cartoon and the Picasso wind is bright in the notebook PC 1 days? Creation coming eagerly, with rise it was chosen the work which does with just the Hari Jinliang entry 27000 [te] being from colorful

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  Ermüdet von den uninspirierend schwarzen und grauen Laptopen? Interessiert, für, Karikaturen oder Picasso-angespornte Kunst auf Ihrem Laptop zu sehen, um Ihren Tag zu erhellen? Zhang Jinliang, ein 24 Einjahreschinesischer freiberuflich tätiger Entwerfer und hat schwer gearbeitet, um mit bunten Kreationen aufzukommen, um gerade das zu tun. Zhang wurde von 27.000 Einträgen als eins der Spitzendrei Dells im Entwurfs-Studio-Wettbewerb in China eine Gelegenheit gewählt, damit Verbraucher Kunstwerke einreichen, die auf die Kappen der Dell-Studiolaptope dauerhaft zugetroffen werden können. Sein De… Der Notizbuch PC des Bohrenschwarzen und des Graus ist langweilig? Der Entwerfer, das Porzellan von 24 Jahren alt von den freien Lanzen sehend, mit Interesse, in Bezug auf Kunst der Karikatur und des Picasso-Winds ist an den Tagen des Notizbuch PC 1 hell? Die Kreation, die begeistert, mit Aufstieg wurde es kommt, der Arbeit gewählt, die mit gerade der Hari Jinliang Eintragung 27000 [te] seiend von buntem tut
  
  
• Horses for courses when it comes to sponsors
  http://www.scmp.com/vgn-ext-templating/v/index.jsp?vgnextoid=f2da207842ec7210VgnVCM100000360a0a0aRCRD&s=Business
  Turf King's record ON the track may have been far from stellar and but his new career has certainly got the artistic punters cheering. As for the record of track/truck turf king as for that there is a possibility the empty fixed star, being done so far new carrier support has certainly artistic speculators

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  Aufzeichnung des Rasen-Königs AUF der Schiene kann weit von stellares gewesen sein und aber seine neue Karriere hat den künstlerischen Börsenspekulanten das Zujubeln zweifellos erhalten. Was die Aufzeichnung anbetrifft des Schienen-/LKW-Rasenkönigs was den anbetrifft gibt es eine Möglichkeit der leere örtlich festgelegte Stern und ist geleistete bis jetzt neue Fördermaschineunterstützung, hat zweifellos künstlerische Spekulantn
  
  
• weblog title
  http://www.guardian.co.uk/books/2010/jul/14/al-williamson-obituary
  issue ,

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  issue , original meaning
  
  
• Japanese talking
  http://kamewada.cocolog-nifty.com/blog/2010/08/post-0259.html
  
  
  
• János Kass obituary
  http://www.guardian.co.uk/theguardian/2010/apr/12/janos-kass-obituary
  Nihongo ,

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  Nihongo , for multilingual communication
  
  
• Michelangelo letters up for grabs as Renaissance archive goes up for sale
  http://www.guardian.co.uk/world/2010/mar/07/michelangelo-letters-auction-vasari
  issue ,

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  issue , Japanese talking