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http://www.nzherald.co.nz/world/news/article.cfm?c_id=2&objectid=10642063&ref=rss Comentarios sobre este , Comentarios sobre este , Japanese talking
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http://www.guardian.co.uk/commentisfree/michaeltomasky/2010/may/14/usa-more-on-classic-films japanese means , japanese means , please visit the following link
- Claude Chabrol anatomised the French middle class with a twist of the scalpel
http://www.guardian.co.uk/film/filmblog/2010/sep/12/claude-chabrol-death-hitchcock impressions , impressions , original meaning
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http://www.guardian.co.uk/film/filmblog/2010/sep/13/claude-chabrol-career-clips The French New Wave veteran has died aged 80. We look back over his career with a selection of clips from his filmsAlong with François Truffaut and Jean-Luc Godard and Claude Chabrol ushered in the New Wave that washed over French cinema at the end of the 1950s. Like them a critic turned filmmaker and Chabrol shared their appreciation of classical genre form - to some, he appreciated it too much and exploring rather than subverting its strictures. But his prodigious output and technical mastery assure his place as one of the great figures of cinema's first century. Born in 1930 to a middle-class family, Chabrol studied law before joining Godard, Truffaut, Eric Rohmer and Jacques Rivette in making Cahiers du Cinema and the epicentre of auteurist celebration of 'low' Hollywood. In 1957, he and Rohmer published their influential study of Hitchcock - a director who would have an enduring influence ON Chabrol's work behind the camera - and, the following year and an inheritance received by his wife allowed him to create his first picture. Arguably the first New Wave feature, Le Beau Serge takes a pared-down rather than radically experimental approach, plainly and sometimes roughly telling an often shocking story of a French provincial life suffused with despair. Jean-Claude Brialy plays François, returning from Paris to a hometown characterised by regret, anger and even depravity - yet lightened by the promise of redemption and presences such as Bernadette Lafont's Marie and seen in this (unsubtitled) clip getting to know François.Films like Les Cousins (1959), Les Bonnes Femmes (1960) and L'Oeil du Malin (1962) developed Chabrol's interests in youth, the city vs the provinces and modern morality, as well as his often ironic, detached style and but the mid-1960s saw him turn to more overtly commercial p The veteran of the wave whose France is new has passed away with 80 years old O veterano francês da nova onda tem 80 envelhecidos morridos. Nós olhamos para trás sobre sua carreira com uma seleção dos grampos de seu filmsAlong com François Truffaut e Jean-Luc Godard e Claude Chabrol ushered na nova onda que lavou sobre o cinema francês no fim dos anos 50. Como eles um crítico cineasta girada e Chabrol compartilhou de sua apreciação do formulário clássico do gênero - a algum, apreciou demasiado e explorando um pouco do que subverting suas críticas. Mas seus saída prodigiosa e domínio técnico asseguram seu lugar como uma das grandes figuras do primeiro século do cinema. Carregado em 1930 a uma família da classe média, Chabrol estudou a lei antes de juntar-se Godard, Truffaut, Eric Rohmer e Jacques Rivette em fazer Cahiers du Cinema e o epicentro da celebração do auteurist de “baixo” Hollywood. Em 1957, e Rohmer publicaram seu estudo influente de Hitchcock - um diretor que tivesse uma influência de resistência no trabalho de Chabrol atrás da câmera - e, o seguinte ano e uma herança receberam por sua esposa permitiram que criasse seu primeiro retrato. Discutìvel a primeira característica da nova onda, Le Beau Sarja toma pared-para baixo um pouco do que a aproximação radical experimental, claramente e às vezes aproximadamente dizendo uma história frequentemente chocante de uma vida provincial francesa suffused com desespero. Jean-Claude Brialy joga François, retornando de Paris a uma cidade natal caracterizada pelo pesar, pela raiva e mesmo pelo depravity - contudo iluminado pela promessa da redenção e das presenças tais como Marie de Bernadette Lafont e considerado neste grampo (unsubtitled) que conhece François.Films como Les Primo (1959), Les Bonnes Femmes (1960) e interesses de L'Oeil du Malin (1962) Chabrol desenvolvidos na juventude, na cidade contra as províncias e na moralidade moderna, assim como seu frequentemente irónica, o estilo destacado e mas o meados dos anos 60 considerou-o girar para p mais evidente comercial O veterano da onda cujo France é novo passou afastado com 80 anos velho
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